‘Peaky Blinders’ expands its violent story into a contemporary dance show

Actor Conor Kerrigan with fight director Adrian Palmer during a rehearsal for the dance production of ‘Peaky Blinders: Thomas Shelby’s Redemption’ (Photo: Johan Persson/Rambert Dance via AP)

steven caballero He looks stunned, almost speechless. You just saw the Rambert contemporary dance company re-watch scenes from the first act of the show from the hit series he created and wrote. Peaky Blinders: Thomas Shelby’s Redemptionhad its world premiere this week at Birmingham Hippodrome and will then tour the UK in Autumn 2022.

Seeing the immediate connection between the movements of the dancers and the audience is a revelation for Caballero, who joined this theatrical dance show that completes part of the history of the mafiosi of the 1920s. “I never liked dancing and it was not something significant for me. I certainly can’t dance alone,” says the British writer, who also wrote the film’s screenplay. eastern promisesof david cronenberg. Caballero He was so impressed with the power of dance that he wrote a ballet scene in the show’s fifth season, which premiered worldwide this year on Netflix.

“It’s not like opera, which I’m sure is fantastic, but you don’t have to know opera or understand or know the story or anything. They are just human beings doing what they do with music. And it’s incredibly direct.”

Art director Benoit Swan Pouffer (left) and writer Steven Knight (right), author of the series, during a rehearsal for the show “Peaky Blinders: The Redemption of Thomas Shelby” in London (Photo: Johan Persson/Rambert Dance via AP )

Rambert Artistic Director, Puf Benoit Swan, is in charge of the choreography of this production. “(Knight) told me, well, you give them an idea in 30 seconds. When I do it on the show, it takes me hours… That’s the power of dance. You dance for me and for everyone. It is not necessary to learn the language. It’s the body,” she says. fagot. “We speak internationally, so it doesn’t matter where you’re from. You will understand the story.

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This applies to people who have never seen Peaky Blinders. “We start in World War I, which is not what we see on the show. And that explains why Peaky Blinders son Peaky Blinders”, dice.

Fans of the show are sure to be aware of the love story that sits at the heart of the plot, between crime boss Tommy Shelby and undercover spy Grace Burgess, played by Cillian Murphy Yes Annabelle Wallis. “Tommy’s life is difficult. He creates his own problems, of course. There’s a lot of conflict, it’s all in the story,” he says. Caballero. “But I think that with dance you see something else. Joy, for example. When there is joy, you see joy. But also, even in tragedy, we see beauty. It’s a very interesting way of telling the story.”

Peaky Blinders is the epic story of a gangster family, set in 1919 Birmingham, England.

Tommy and Grace are performed by two different sets of dancers, with one of the couples, Guillaume Queau Yes naya lovellwell aware of their responsibility to the fanbase of Peaky Blinders. “If fans watch the show, maybe they have certain expectations about what the characters of Grace or Tommy Shelby should look like and I think that also creates an opportunity to find a middle ground between dance and vision.” Benedictand Rambert’s vision and Peaky Blinders“, He says wow. “He has an essence. But it’s also, he wouldn’t say a modernized version, but our version of history.”

After the war, the Peaky Blinders rule Birmingham in their own way, torturing, shooting, and stabbing as frequent methods of persuasion. This violence permeates the movements of the dancers. “I thought, please stop because you’re going to get hurt, because this is real. You feel the conflict and the violence very strongly in the form of dance,” she says. Caballero. “It was another revelation for me, how beautiful and choreographed and yet really complete a fight scene can be.”

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Source: AP

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“Peaky Blinders”: everything about the last season now available on Netflix

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