Jason Statham is shaped like a human bullet, and “A Working Man” director David Ayer — who also collaborated with the actor on last year’s “The Beekeeper,” a galaxy-brained “John Wick” riff that effectively climaxes with our humble apiarist blasting a hole into a member of the First Family’s head — continues to take full advantage of the fact that you can shoot the guy clean through some of the silliest and/or most staid vigilante stories ever conceived without having to worry about softening his impact.
On the contrary, undisguised contrivance, cliche, and cartoonishness only seem to increase the velocity of his screen image, which helps to explain why the…